The book begins by the North Sea. It is a late summer’s afternoon, and a bright sun has dispersed the greyness of the day. Two Englishmen are enjoying
a swim off the Essex coast when all at once both have the feeling that they are back at the French seaside. They find themselves starting to tell each
other of their youthful experiences of living in France. The adventures they narrate follow one after another like waves rolling onto the shore.
Clive, coming from London, had found himself spending a year deep in the French countryside within sight of the western Pyrenees; John, hailing from
Devon, had ended up living for a while in the City of Light within sight of the Folies Bergère. Outsiders though they were, they momentarily
became part of French society, their adventures fuelled by the culinary delights of their adopted land.
They tell their tales with humour and relish as they recall their initiation into the French way of life of decades ago – and how it shaped
their own.
While the book offers readers eye-witness accounts of a moment in French history, there is often, albeit briefly told, the recollection of others too,
or of history’s impact upon them: the German occupation of Paris; the 25th anniversary of the Liberation; the young French doctor working at Buchenwald
in the aftermath of the war; the Frenchman born in Algeria being uprooted and coming to terms with settling in France; the behaviour of the CRS in ’68;
the impact of Franco’s regime on families; the exile of Buñuel; the survival of Basque culture and language; even the unexpected discovery at the Banque
Française du Commerce Extérieur of heads from statues of the kings of Judaea that once stood on the west front of Notre-Dame, mistaken in
the immediate post-Revolutionary days for the heads of French kings and removed at that time.
Frontispiece: George Adamson: Tuileries Gardens, Paris, gouache, 1971. © Estate of George Worsley Adamson
Page 30: John Adamson: View from the Tower Gallery, Notre-Dame, Paris, linocut, c. 1970. © John Adamson
Tailpiece: Unknown street artist: Silhouette of John Adamson, Tuileries Gardens, Paris, August 1969. All rights reserved
I predict this slim volume will become a quiet best seller. It has all the quirky fun of an authentic adventure, a trove of fascinating real-life tales – whilst it reveals the real France in all its remarkable differentness.
Anne Garvey, Cambridge Critique, September 2023
The incidents and experiences [the authors] relate are very sympathetic to me, and induce a measure of nostalgia.
Sir Quentin Blake
Humorous and full of adventure, two Englishmen reminisce about their youth in the French countryside. A beautiful portrayal of the country from an outsiders perspective.
Hatchards Bookshop, Piccadilly
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Prologue
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2
3
4
5
6
7
8
9
10
11
12 13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
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An Englishman in the ninth district
Clives voyage into the unknown
René
Clive the grape-picker
Johns stroll through Paris
Clive arrives at Salies-de-Béarn
John finds a job in the big city
Clive settles in Salies-de-Béarn
Johns apprenticeship at a Paris bank
Sad news for Clive from London
Cinéma vérité: on location in Paris
Clive back in the vineyard
New waves for John
Clive on a Mobylette to the Basque Country
John and the elusive film world
Béarnaise sauce
John, the gourmet banker
Clive rolls up his sleeves in the provinces
John and the newly-weds
Clive tries his hand at rough shooting
John moves house
Clive and Marianne
John settles in on the rue Sainte-Anastase
Provincial doctor to Clives rescue
John meets Luisa
Clive learns his lesson skiing at Cauterets
Johns friends find connubial bliss
Crossing the border into Spain
John meets Chuchi
Clive heads for the metropolis
John joins the Paris rag trade
Live pop music à la française
John and the Marais copper-engraver
Clive answers the call of the south
The need to feed the inner man
Clive enjoys good company in the café at Carresse
John uses his Métro ticket
Summer festivals – and Clive takes the mike
John and the Irishman
Small-town wedding
John afloat in Paris
Clive goes under at Saint-Jean-de-Luz
John working with the Galerie Genot
Clive on horseback in the Camargue
John the balloon man
Clive wields his knife and fork at Les Baux-de-Provence
Johns private view
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Epilogue
Tailpiece
Acknowledgements
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John Adamson, born at Poltimore, Devon, studied at the universities of Edinburgh and Geneva. He worked for several short periods in the translation department of
the Banque Française du Commerce Extérieur in Paris and for eight months at the Berlitz School of Languages in London, before embarking on a career in publishing, starting as a graduate trainee at Cambridge
University Press. There he became European sales representative, later publicity manager and lastly export sales director, afterwards joining the National Portrait Gallery in London as head of publications
and retailing. Since the early nineties he has been an independent publisher of books in the fine and decorative arts as well as a writer and translator. He was awarded a fellowship of the Society of
Antiquaries in 2019.
Clive Jackson grew up in Colchester, Essex, where he attended Colchester Royal Grammar School. After working for a year in the overseas business department of a
City of London insurance company, he studied for a University of London degree in French and Spanish. Deciding on a career as a modern language teacher, he lived abroad for a number of years teaching
French in Canada and English in the south of France. Long resident in Cambridge, he worked in adult education as a Spanish tutor, completing his career as head of Spanish at the Perse School.
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Chris Jones designed the book, setting the body in Minion Pro and Myriad Pro Condensed.
George Worsley Adamson, 1913–2005, painted Tuileries Gardens, Paris (frontispiece).
Albert Marquet, 1875–1947, painted Saint-Jean-de-Luz (book cover).
Lavenham Press Ltd, printed the book on FSC MIX 100 gsm.
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Contact the publishers or local agents for further information: Enquiries
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Please print off the order form and
send it by mail to John Adamson, 90 Hertford Street, Cambridge CB4 3AQ, England.
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