TOSHIMASA KIKUCHI
Mathematical Objects

Foreword by Sophie Makariou
Essays by Kei Osawa, Édouard Sebline and Sylvie Benzoni-Gavage
Photographs by Tadayuki Minamoto and Bertrand Michau
Works by Man Ray

      



Summary

Full description

Contents

Contributors

Photographers

Enquiries

How to order

Where to find the book

Free delivery in the UK

Published by
Galerie Mingei Japanese Arts – Paris
Distributed by
John Adamson 
2021

Text in English and French

176 pp.
128 pages in colour
48 in monochrome (silvery colour)
9 1/2 × 6 1/4 in.  (240 × 160 mm)

ISBN
978-2-9566150-3-3
Cloth
€35.00
£30.00
US$45.00


Obtainable from any good bookseller or from:

John Adamson:
90 Hertford Street
Cambridge CB4 3AQ, UK
e-mail: Book orders

Distributed in the United States and Canada by:

ACC Art Books, New York

Distributed in Japan by:
 

MHM Limited
1-1-13-4F Kanda Jimbocho
Chiyoda-ku, Tokyo 101-0051
Japan
+81 (0) 3 3518 9181
e-mail: Book orders


Summary

From Man Ray to Toshimasa Kikuchi, in an encounter between art and mathematics around the collection of models at the Institut Henri Poincaré, Paris, this book accompanies the exhibition Carte blanche á Toshimasa Kikuchi held at the musée national arts asiatiques ‐ Guimet from 7 July to 4 October 2021.

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Full description

The work of the Japanese sculptor Toshimasa Kikuchi (born in 1979) is somehow bewilderingly obvious. Trained in the restoration of Buddhist statues, mastering to perfection the techniques of classical Japanese statuary, he carves pure forms in wood – geometric, hydrodynamic or figurative. His scientific repertory is timeless (mathematics, engineering, natural history), but his preferred materials and techniques are firmly grounded in tradition (Japanese hinoki cypress, urushi lacquer, kinpaku gold leaf). The installation he presents for his Carte Blanche at the musée Guimet in Paris, brings together a series of slender sculptures in lacquered wood of mathematical objects, in the tradition of the celebrated photographs that Man Ray took of them. These abstract forms, hanging from the ceiling like mobiles or laid on the floor like devotional objects, take shape through a virtuosity and craftsmanship seldom found in contemporary art. They are perfect stalactites, timeless concretions that are striking in their plastic beauty, while simultaneously opening up views of a dimension unattainable in sculpture: that of ideal forms. The meeting of Art and Science that lies at the heart of Kikuchi’s sculptures was inspired by his research work at the University Museum, University of Tokyo, where he continues to curate exhibitions and restore ancient works of art.

The book Toshimasa Kikuchi – Mathematical Objets is published by the galerie Mingei Japanese Arts – Paris to accompany this Carte Blanche given to the Japanese artist. It is lavishly illustrated by the great Japanese photographer Tadayuki Minamoto, who has been able to capture the magnificence of the mathematical abstraction of the works of Kikuchi; by photographs and paintings by Man Ray; and with fascinating mathematical objects from the Institut Henri Poincaré, photographed by the French photographer Bertrand Michau.

Toshimasa Kikuchi – Mathematical Objets is essential reading for lovers of surrealism and of the early years of twentieth-century abstraction as well as for all who are intrigued by the close relationship between art and mathematics.

For further information about the artist, see Toshimasa Kikuchi’s website.

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Contents


1

2

3

4
5

6
7


Foreword by Sophie Makariou
Lustrous Abstractions: The Sculpture of Kikuchi Toshimasa by Kei Osawa
Needles : Works by Kikuchi Toshimasa, photographs by Minamoto Tadayuki
Human Equations: Man Ray’s Photographs of Mathematical Models, by Édouard Sebline
Mathematical Objects – Works by Man Ray
The Collection of Mathematical Objects at the Institut Henri Poincaré (IHP), by Sylvie Benzoni-Gavage
The Music of Surfaces, by Sylvie Benzoni-Gavage
Mathematical Models from the Collection of the Institut Henri Poincaré, photographs by Bertrand Michau
Acknowledgements, Picture Credits

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Contributors

Sylvie BENZONI-GAVAGE, mathematician, professor at Université Claude-Bernard Lyon I, and director of the IHP
Sophie MAKARIOU, president of the Musée national des arts asiatiques – Guimet
Kei OSAWA, researcher in art history and in aesthetics (University Museum, University of Tokyo)
Édouard SEBLINE, independent scholar specializing in Man Ray, Dada and surrealism

Photographers

Bertrand MICHAU
Tadayuki MINAMOTO

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Enquiries

Contact the publishers or local agents for further information: Enquiries

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How to order the book offline

Please print off the order form and send it by mail to John Adamson, 90 Hertford Street, Cambridge CB4 3AQ, England.

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